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Idyll Memeories (Detail), 2021

Digital print on watercolour paper, 40" x 30"

"Scattered Thoughts" 2022

Reflecting on Hepu, Guangxi:

(Revised, September 13, 2023)


We had family we didn't know even existed. Our branches had separated half a century ago, nurtured by soils an ocean apart, then brought back together by that type of serendipitous happening where dust besets rock to become an avalanche.


My grandaunt's home, my grandfather's place of birth, is surrounded by a patchwork of eucalyptus plantations. Some are frequented by farmers, others only by townsfolk who've marked down with stone and mud the resting sites of those who've passed.


Under the sweltering heat, we trod along the forest floor, kicking up dust as we passed. Soil and ash perfumed the air we breathed.






Thinking back, now in the comfort of my own home, I realize how complicated a relationship I've built with 'eucalyptus.' It's one of the first childhood scent memories that I associated with peace and calm, with some vague notion of elevated beauty. A small vial of eucalyptus essence sits beside the diffuser in my living room some ten thousand kilometres away from those plantations. I ruminate also on their more than complicated economics and problematic harvesting practices—practices taken in the warm southern Chinese provinces. Yet, as I write, I'm smiling at the pictures I took of these wondrous forests in a land my ancestors called home. Though these trees weren't even here when my grandfather last walked these grounds, they now stand guard where his parents, aunts and uncles, brothers and sisters, and many other extended relations are buried. These canopies set against the hazy sky are, for me, the image of safe harbour and of rest for family I have never known and never will. On this thought, my mind is tranquil, but not at peace. There is a tenuous sanctity under their canopies that I fear disturbing.


I turn my thoughts now to the small shingled house where my grandaunt lived. Outside the living quarters, everything was exposed to the elements, including the kitchen. There, bees had moved into some cupboards. My grandaunt decided to keep them so that she could gather honey. I wonder if the smoke from the wood fire stove helps to keep the bees relatively docile despite our comings and goings.





Traditions and rituals come and go. Those with lasting power move across generations, seeping through the fine filters of time and human intervention. Being divorced from the past is a very different thing from abandoning one's past.


If I do not till this land, how do I belong to it? I feel I’ve barely grazed it—making mere memories of it. When I open my arms wide to let them go, I find they have latched themselves tight to my heart. When had it laid claim to a part of me? My arms spread wide, it embraces the skies.


My mind is scattered with memories not belonging to me. It will take a while for me to sort through them.


I will come back to them.





Exhibition History

Toronto Outdoor Artfair 2022. Toronto ON

"Rencontre" 2022. Group exhibition at Gallery 1313, Toronto ON

"Unyielding Earth" 2022. Group exhibition at Esperanto Gallery, Markham ON


Other Information

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